Cultural Events and Performances
Membersâ Preview: Lorenzana
January 24, 5:30 â 7:30 p.m.
AU Katzen Museum
Museum members are invited to preview six new exhibitions and join a gallery talk centered on Filipino artist Luis Lorenzanaâs searing political paintings. Open to museum members. No RSVP required. For more information: /museum
Heroes & Losers: The Edification of Luis Lorenzana
January 25 â March 15
AU Katzen Museum
Luis Lorenzana is a self-taught Filipino artist whose background in politics has infused his work with a cynicism that belies his longing for a kinder, more equitable world. The exhibition touches on the themes of a desperate kind of selfless heroism â and the all-too familiar failure of a democratic political system. These works will have relevance to the current American landscape and, indeed, to anywhere in the world.
Communicating Vessels: Ed Bisese, Elyse Harrison, Wayne Paige
January 25 â March 15
AU Katzen Museum
The title of this exhibition is borrowed from a book written in 1932 by Surrealist poet AndrĂ© Breton, who in turn borrowed it from a scientific experiment of the same name. The experiment shows that in two vessels joined by a tube, a gas or liquid passing from one to the other rises to the same level, whatever the shape of the vessel. For Breton, the phrase refers to the artist, whether literary or visual, whose work results from communication between the inner life of the mind, emotions, and dreams, and the waking perception of the exterior world. The three artists in this exhibition all work from this premise, although with individual styles and imagery. While their work shows continuity with Surrealist ideas of the 1930s and â40s, it also relates to the Chicago Imagists of the 1960s and â70s, reflecting the prevalence of surrealist imagery in contemporary visual art.Ìę
Landscape in an Eroded Field
January 25 â March 15
AU Katzen Museum
This exhibit brings together three women artists whose work reflects the evolution of the pictorial landscape tradition in the Anthropocene Era. Carol Barshaâs closely-observed nature studies and flowery landscapes are paired with Artemis Herberâs mythically-themed architectonic reliefs. These immersive paintings surround a site-specific installation and soundscape designed by Heather Theresa Clark, utilizing her environmental planning background. Depicting nature and the environment is one of the most ancient and elemental expressions of art. From cave painting to Dutch still lifes to social practice incorporating life forms, artists always have been attentive and responsive to the world around them. This exhibition spans landscape painting that takes no social or political stance to multi-media painting and sculpture that puts climate change at the center of its meaning.
Vokmar Wentz
January 25 â March 15
AU Katzen Museum
This exhibit shows the works of Volkmar Kurt Wentzel who arrived in Washington, DC, in the early 1930s. When the Great Depression led to prohibitive housing costs in DC, he moved to Aurora, West Virginia to join a community with Robert Gates and several other artists who had become close friends. In 1937, back in Washington, architect Erik Menke introduced Volkmar to a book titledÌęParis De Nuit (1933)Ìęby BrassaĂŻ, a French photographer. Volkmar was enchanted. He purchased a new camera and began photographing the series Washington by Night. ÌęFirst Lady Eleanor Roosevelt, out for a stroll one evening, encountered Volkmar and purchased several of his Washington pictures. Volkmar completed his Washington photographs and brought them to National Geographic. He was hired immediately. The event led to his 48-year photographic career as a National Geographic photographer.
Robert Franklin Gates: Paint What You See
January 25 â March 15
AU Katzen Museum
This exhibit showcases an adventurous artist who influenced greatly the course of Washington art from his arrival from Detroit in 1930, at the age of 24, until his death in 1982 as an AU Professor Emeritus. He was a muralist, painter, printmaker, draftsman, and professor at the Phillips Gallery School and then American University for more than forty years. His watercolors earned him early acclaim, signaled by their inclusion in the first very exhibition held at the National Gallery of Art when it opened in 1941. Gatesâ paintings can be found in The Phillips Collection, the Baltimore Museum of Art, Dumbarton Oaks, the Smithsonian American Art Museum, the Corcoran Legacy Collection, and the Watkins Memorial Collection at the American University Museum.
Good Form, Decorum, and in the Manner
January 25 â March 15
AU Katzen Museum
Portraits are usually understood in one of two ways: as the depiction of the face of a person, or a representation of someone's impression of a person. This exhibition comprises many works that could be thought of as conventional portraits of individuals in a wide range of media, including woodblock and wood engravings, intaglio prints, mezzotints, monoprints, photography, collage, and an assemblage made with found objects. The show also pushes the boundaries of portraiture by including works that capture the likenesses of animals, places, memories, and events.Ìę
Good Form, Decorum, and in the MannerÌęcan also be considered a snapshot of the Washington Print Club today by celebrating the prized pieces its members have chosen to highlight. My curatorial interest also lies in the resulting overlaps, intersections, gaps, and dialogues between collectors' collections.
Gallery Talk: Robert Franklin Gates
January 25, 5ÌęâÌę6Ìęp.m.
AU Katzen Museum
AU Museum Director & Curator Jack Rasmussen will present a lecture on the Paint What You See exhibit, featuring paintings and watercolors by longtime AU Art Department Professor Robert Franklin Gates. Free and open to all. RSVP:
Winter Opening Reception
January 25, 6 âÌę9 p.m.
AU Katzen Musuem
Mix and mingle with artists, curators, and fellow patrons and view the six new exhibitions at the winter opening reception. Free and open to all, no RSVP required.
Yoga in the Galleries
January 29, 10 â 11 a.m.
AU Katzen Museum
Led by certified Kripalu Yoga teacher Eva Blutinger, this yoga class provides mental clarity and relaxation in the peaceful surroundings of our art galleries. Please bring a mat. Cost is $10 for non-members, $5 for museum members, and free for members at the Associates level and above. .